What Do Students Make 3? (Projects page 3) Carving Carving can mean different things to different students. Some ask to make a little creature, like a lion or a chipmunk, but they are not sure how to approach it. Others are in love with whittling with a knife and they look for a project that would be appropriate for that tool: animals, faces and wooden chains are popular. Certain projects, like masks for example, are carved primarily with a gouge and a club or perhaps a crooked knife, a unique Native American tool. Some carving projects can be done with just files and sandpaper. When a student tells me his or her idea, I must find a method based on my estimate of his or her skills, patience and how much accuracy I think the child expects to attain. We do some very simple carvings and some that are amazingly elegant and complex.
The Knife Lesson
It takes a good deal of skill and care to use a whittling knife effectively and safely. That's why I require any student who wants to use one to take the knife lesson. Finding class time to give this intense lesson is difficult, since it takes two full periods of focused work. If there are more than a few students in a class who have already had it, I can't justify breaking out class time for it. Usually, the knife lesson is given at the very beginning of the first quarter, though I always check with each class at the beginning of a new quarter to see if it has the right mix to give it. Before we begin, I tell students why I love working with a knife: its simplicity and direct contact with the wood. I show them all kinds of projects they can do, and validate the joy of just making shavings while you daydream, once using the knife correctly becomes automatic, as it should. The method I teach is my own, based on long experience and not a few band aids. In my way, the knife is never allowed to move more that a couple of inches, but it is always in complete control and very powerful. And, if you are paying attention, your fingers are safe. I want this method to become rote, like riding a bicycle. The students learn how to carry a knife and how hand it to someone else (like me, if it needs to be sharpened.) There are two basic cuts, towards yourself and away from yourself. (Someone often offers up the myth that you should never cut towards yourself, untrue unless you don't know what you are doing.) They learn variations on both kinds of cuts, and how never to cut with a knife. They discover how to cut along curves and with the grain, and how to test if the knife is sharp. They learn two basic kinds of stop cuts. We do this step by step and never move on until everyone gets it. It really does take two full periods, and the kids don't get bored. They think it is cool. When the lesson is done, I carve a small head for them in five minutes or less, to show them how it all works. I use every method I've taught and the students are always fascinated. Some want to try it on their own right away, while others eventually come back to making a head. Students who have developed skill and have fallen in love with knife work may be interested in getting a knife to use at home. Parents sometimes ask me where they can buy a good knife as a gift for their child. I'm delighted when that happens! But, as I tell students during the knife lesson, knowing how to use a knife isn't enough. You have to know how to sharpen it too. This isn't part of the knife lesson but I can teach it in a fairly short time if I'm asked. I have found a set of diamond sharpening stones that are inexpensive and work well for beginners. (Here or here.) The kit of knife and sharpening stones can be had for about $40. Please understand that even high quality jack knives or Swiss Army knives will not take an adequate edge for good whittling. My preferred tool is the "Sloyd Knife", above left, with the shortest blade available. (Here or here.) We also use chip carving knives, above right, for whittling as well as chip carving (but that's another story.) These are very short and controllable. (Here.) E. J. Tangerman's Whittling and Wood Carving is my favorite book on the subject. Published in 1935 or so, it has never been ou of print. We also use crooked knives, Native American implements that are among my favorite tools. These wonderful carvers are not part of the knife lesson since they are used in a completely different way. I'll add a section on them to this site when I can. Meanwhile, here is a website where you can learn about them and other North West Coast tools and carving. This is a link to their crooked knife page which will tell you a bit about how they are used.
Carving Animals After they've had the knife lesson, at least a few students in each class will ask to carve an animal with the knife. I usually suggest a bird or a fish, since the smooth lines are easy for a beginner to manage. Most go for the chickadee, which, life size, is small enough to be comfortable in the hand and cute enough to be satisfying. Small fish are fun and even easier to carve than birds. For most birds and fish, we have top and side patterns on the computer that students tape, in alignment, to a block of pine. On the bandsaw, I cut both patterns, which gives students a squared off critter to carve to a lifelike form. They round off the corners to the right shape, and to carve in the details. Files and sandpaper help with the fine shaping. In fact, students who have not had the knife lesson can manage to shape their animal with files alone, though it is slower.
Students may want to
carve
more complex
animals, usually some sort of four legged critter. We have a collection
of patterns on the computer for lions and tigers and bears, not to
mention dogs and
cats. Sometimes I just cut the profile of the animal from a block
of
wood and the student has at it. There can be problems with grain
running the wrong way to weaken elements like legs and tails. Recently
I've worked with students to divide a carving into layers which are
then glued up and carved. That allows us to run the grain for strength
where it is needed. It also gives kids a head start since the
right and left
legs are separated, unlike when carving from a solid block, as in the
bear, below. Lately we have begun using three dimensional images from
Google Sketchup to slice animals into layers for carving, as we did
with the camel, below. This gives the student the opportunity to
view the computer image from any angle to clarify details of shape.
Masks The wisest thing I know about mask carving came from an Athabaskan carver in Fairbanks, Alaska with whom I studied for a week. She said that a mask comes alive when it is perforated, especially when you cut the eye holes. These openings are the portals between the every day world and spirit world, a door through which a mask allows us to pass. Something special does seem to happen when we cut those eye holes! The students who carve masks seem to understand why they are important in cultures around the world. I keep a number of masks in the shop from Indonesia and Africa, for inspiration.
Motor Vehicles Kids love cars and trucks, even tanks so, of course, we build lots of them. Many designs come from a book in our library which offers part-by-part patterns which are glued together and shaped with files, carving tools and sandpaper. We also search the web for particular models, which we can build if we find a good side view, or even better, a set of isometric plans. Students come to understand why a photo may not be useful if it was taken slightly above or to the side of the subject. We scale images or plans in Photoshop and our monitors are adjusted to give actual size images that match what will print. Finished cars may be wood burned, painted or both. And yes. the wheels turn so the car can scoot across the floor!
Aircraft Planes are even more popular than wheeled vehicles. As a pilot, I'm happy to offer a bit of aviation lore while a student builds his or her aircraft. We get plans from a book in our library or from the internet, as we do with cars. Aircraft, in general, require more extensive and careful shaping than land vehicles.
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